Хто зустрічався з Louis Petit de Bachaumont?
Marie Anne Doublet від Louis Petit de Bachaumont від ? до ?. Різниця у віці склала 12 роки 9 місяців 10 дні.
Louis Petit de Bachaumont
Louis Petit de Bachaumont (pronounced [lwi p(ə)ti də baʃomɔ̃]) (June 2, 1690 – April 29, 1771) was a French writer, whose historical interest has been connected largely to his alleged role in the gossipy Mémoires secrets pour servir à l'histoire de la République des Lettres. A modern biography brought to general attention his other roles, as an arbiter of taste, an influential art critic and an urbaniste.
Petit de Bachaumont was of noble family and was brought up at the court of Versailles. He passed his whole life in Paris, however, as the centre of the salon of Marie Anne Doublet (1677–1771), where criticism of art and literature took the form of malicious gossip. A sort of register of news was kept in a journal of the salon, starting in 1762, which dealt largely in scandals and contained accounts of books suppressed by the censor. Bachaumont's name is commonly connected with the first volumes of this register, which was published anonymously, long after Petit de Bachaumont's death, under the title Mémoires secrets pour servir à l'histoire de la République des Lettres, but his exact share in the authorship of those years before his death in 1771 is a matter of controversy. The register was continued by Pidansat de Mairobert (1707–1779), who may have had a greater hand in it from the start, and by others, until it reached 36 volumes (covering the years 1774-1779). It is of some value as a historical source, especially for prohibited literature, and full of anecdotes, for which it was sieved by the brothers Goncourt, who revived interest in this obscure figure, whom they presented as the anecdotier parfait, the reputation, as the "perfect recounter of anecdote" to the present time.
Petit de Bachaumont's studied "indolence", remarked upon in his obituary, was a stylish pose. His major published writings are Essai sur la peinture, la sculpture et l'architecture (1751) and his surveys of the Paris salons of 1767 and 1769, in which aesthetics and cultural politics were inseparably entwined. Less noted is his published call in 1749 for the roofing-over of the classical colonnaded east front of the Palais du Louvre and the clearing away of the ramshackle structures, both those that had been built against it, in order to form a proper Palais du Louvre, and those in the centre of the Cour Carrée itself Sections of the palace were in danger of collapse, scarcely touched by royal indifference after 1678; work did begin in 1755 to clear the facade of the Louvre, overseen by the architect Jacques-Germain Soufflot and Marigny, supervisor of the Bâtiments du Roi.
As a critic of art, his recommendation of a young artist named François Boucher appeared in a design memorandum Bachaumont presented the duc de Bouillon, who was occupied with renovating interiors at the Château de Navarre in Normandy, in 1730: "he is very quick, works fast and is not expensive".
See, in addition to the memoirs of the time, especially the Correspondance littéraire of Grimm, Diderot, d'Alembert and others (new ed-, Paris, 1878); Ch. Aubertin, L'Esprit public au XVIIIe siècle (Paris, 1872).
Детальніше...Marie Anne Doublet
Marie Anne Doublet (23 August 1677 – May 1771), known as Doublet de Persan, Legendre, was a French scholar, writer and salonnière. She was born and died in Paris.
After the death of her husband, Doublet was the friend and possible lover of Louis Petit de Bachaumont; she was a supporter of parlement. The salon, known as The Parish, met in Doublet's home within the walls of the convent of the Convent of the Filles-Saint-Thomas. It sponsored a clandestine newsletter, the Mémoires secrets pour servir à l'histoire de la République des Lettres en France.
Members of the salon Doublet were against what they saw as rococo degeneracy and advocated for a strict and moralistic classicism. Doublet herself was a critique of rococo art; she and Bachaumont helped foster the classicist revival in the Academy in the 1740s and 1750s. A central figure of the salon Doublet was Jean-Baptiste de La Curne de Sainte-Palaye.
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