Хто зустрічався з Воррен Бітті?

Воррен Бітті (англ. Warren Beatty, вимовляється Бейті; при народженні Henry Warren Beaty); нар. 30 березня 1937(19370330), Ричмонд, Вірджинія, США) — американський актор, продюсер та режисер, рідний брат актриси Ширлі Маклейн.

Constance Money (born Susan Jensen; November 30, 1956) is an American former adult film actress. She played the lead role of Misty Beethoven in the 1976 adult classic The Opening of Misty Beethoven.

Ізабе́ль Ясмі́н Аджані́ (фр. Isabelle Yasmine Adjani; нар. 27 червня 1955, Париж) — французька акторка, співачка і продюсерка, володарка багатьох престижних кінопремій. Громадська діячка.

Diane Keaton Hall (January 5, 1946 – October 11, 2025) was an American actress. Her career spanned more than five decades, during which she rose to prominence in the New Hollywood movement. She collaborated frequently with Woody Allen, appearing in eight of his films. Keaton's accolades include an Academy Award, a BAFTA Award, and two Golden Globe Awards, along with nominations for two Emmy Awards and a Tony Award. She was honored with the Film at Lincoln Center Gala Tribute in 2007 and the AFI Life Achievement Award in 2017.

Keaton's career began on stage, acting in the ensemble of the original Broadway production of the musical Hair (1968) and the romantic interest in Woody Allen's comic play, Play It Again, Sam (1969), the latter of which earned her a nomination for a Tony Award for Best Featured Actress in a Play. She made her screen debut with a small role in Lovers and Other Strangers (1970) before rising to prominence with her first major film role as Kay Adams in Francis Ford Coppola's The Godfather (1972), a role she reprised in the sequels Part II (1974) and Part III (1990). She frequently collaborated with Allen establishing herself as a comic actress acting in the film adaptation of Play It Again, Sam (1972) followed by Sleeper (1973), Love and Death (1975), and Annie Hall (1977). The latter won her the Academy Award for Best Actress.

Keaton was also Oscar-nominated for her roles as activist Louise Bryant in the historical epic Reds (1981), a leukemia patient in the family drama Marvin's Room (1996), and a dramatist in the romantic comedy Something's Gotta Give (2003). She was known for her roles in dramatic films such as Looking for Mr. Goodbar (1977), Interiors (1978), Shoot the Moon (1982), and Crimes of the Heart (1986), as well as comedic roles in Manhattan (1979), Baby Boom (1987), Father of the Bride (1991), its 1995 sequel, Manhattan Murder Mystery (1993), The First Wives Club (1996), The Family Stone (2005), Finding Dory (2016), Book Club (2018), and its 2023 sequel. As a filmmaker, she directed three films and a documentary, Heaven (1987).

On television, she portrayed Amelia Earhart in the TNT film Amelia Earhart: The Final Flight (1994), which earned her nominations for the Primetime Emmy Award, Golden Globe Award, and Screen Actors Guild Award, and later a nun in the HBO limited series The Young Pope (2016). Keaton was also known for her distinct style and was often labeled a fashion icon and wrote four books, including her memoir Then Again (2011).

Leslie Claire Margaret Caron (French: [lɛsli kaʁɔ̃]; born 1 July 1931) is a French and American former actress and dancer. She is the recipient of a Golden Globe Award, two BAFTA Awards and a Primetime Emmy Award, in addition to nominations for two Academy Awards.

Caron began her career as a ballerina. She made her film debut in the musical An American in Paris (1951), followed by roles in The Man with a Cloak (1951), Glory Alley (1952) and The Story of Three Loves (1953), before her role of an orphan in Lili (also 1953), which earned her the BAFTA Award for Best Foreign Actress and garnered nominations for an Academy Award and a Golden Globe Award.

As a leading lady, Caron starred in films such as The Glass Slipper (1955), Daddy Long Legs (1955), Gigi (1958), Fanny (1961), Guns of Darkness (1962), The L-Shaped Room (1962), Father Goose (1964) and A Very Special Favor (1965). For her role as a single pregnant woman in The L-Shaped Room, Caron, in addition to receiving a second Academy Award nomination, she won the Golden Globe Award for Best Actress in a Motion Picture – Drama and a second BAFTA Award.

Caron's other roles include Is Paris Burning? (1966), The Man Who Loved Women (1977), Valentino (1977), Damage (1992), Funny Bones (1995), Chocolat (2000) and Le Divorce (2003). In 2007, she won the Primetime Emmy Award for Outstanding Guest Actress in a Drama Series for portraying heiress and rape victim, Lorraine Delmas, in Law & Order: Special Victims Unit.

Maya Mikhailovna Plisetskaya (Russian: Майя Михайловна Плисецкая; 20 November 1925 – 2 May 2015) was a Soviet and Russian ballet dancer, choreographer, ballet director, and actress. In post-Soviet times, she held both Lithuanian and Spanish citizenship. She danced during the Soviet era at the Bolshoi Theatre under the directorships of Leonid Lavrovsky, then of Yury Grigorovich; later she moved into direct confrontation with him. In 1960, when famed Russian ballerina Galina Ulanova retired, Plisetskaya became prima ballerina assoluta of the company.

Her early years were marked by political repression and loss. Her father, Mikhail Plisetski, a Soviet official, was arrested in 1937 and executed in 1938, during the Great Purge. Her mother, theater and silent film actress Rachel Messerer, was arrested in 1938 and imprisoned for a few years, then held in a concentration camp together with her infant son, Azari. The older children were faced with the threat of being put in an orphanage but were cared for by maternal relatives. Maya was adopted by their aunt Sulamith Messerer, and Alexander was taken into the family of their uncle Asaf Messerer; both Alexander and Azary eventually became solo dancers of the Bolshoi.

Plisetskaya studied ballet at The Bolshoi Ballet School from age nine, and she first performed at the Bolshoi Theatre when she was eleven. She studied ballet under the direction of Elizaveta Gerdt and also her aunt, Sulamith Messerer. Graduating in 1943 at the age of eighteen, she joined the Bolshoi Ballet company, quickly rising to become their leading soloist. In 1959, during the Thaw Time, she started to tour outside the country with the Bolshoi, then on her own. Her fame as a national ballerina was used to project the Soviet Union's achievements during the Cold War. Premier Nikita Khrushchev considered her to be "not only the best ballerina in the Soviet Union, but the best in the world".

As an artist, Plisetskaya had an inexhaustible interest in new roles and dance styles, and she liked to experiment on stage. As a member of the Bolshoi until 1990, she had international exposure and her skills as a dancer changed the world of ballet. She set a higher standard for ballerinas, both in terms of technical brilliance and dramatic presence. As a soloist, Plisetskaya created a number of leading roles, including Juliet in Lavrovsky's Romeo and Juliet; Phrygia in Yakobson's Spartacus (1958); in Grigorovich's ballets : Mistress of the Copper Mountain in The Stone Flower (1959); Aurora in The Sleeping Beauty (1963); Mahmene Banu in The Legend of Love (1965); Alberto Alonso's Carmen Suite (1967), choreographed especially for her; and Maurice Béjart's Isadora (1976). Among her most acclaimed roles were Kitri in Don Quixote, Odette-Odile in Swan Lake, and The Dying Swan, first danced as a pre-graduate student under the guidance of Sulamith Messerer. A fellow dancer said that her dramatic portrayal of Carmen, reportedly her favorite role, "helped confirm her as a legend, and the ballet soon took its place as a landmark in the Bolshoi repertoire". Her husband, composer Rodion Shchedrin, wrote the scores to a number of her ballets.

Having become "an international superstar" and a continuous "box office hit throughout the world", Plisetskaya was treated by the Soviet Union as a favored cultural emissary. Although she toured extensively during the same years that other prominent dancers defected, including Rudolf Nureyev, Natalia Makarova, Alexander Godunov and Mikhail Baryshnikov, Plisetskaya always refused to defect. In 1991, she published her autobiography, I, Maya Plisetskaya.

Madonna, mononyme de Madonna Louise Ciccone, née le 16 août 1958 à Bay City (Michigan), est une autrice-compositrice-interprète, danseuse, actrice, productrice de cinéma, réalisatrice et femme d'affaires américaine. Considérée comme l'une des plus grandes stars internationales depuis les années 1980, elle est souvent citée comme une influence majeure sur de nombreux artistes du XXI^e siècle.

Arrivée en 1978 à New York pour poursuivre une carrière de danseuse, Madonna signe chez Sire Records en 1982 et sort son premier album, Madonna, l'année suivante. Celui-ci est suivi d'une série d'albums rencontrant à la fois un important succès critique et commercial : les albums Like a Virgin (1984) et True Blue (1986) et The Immaculate Collection (1990) se vendent chacun à plus de 20 millions d'exemplaires tandis que Ray of Light (1998) et Confessions on a Dance Floor (2005) sont récompensés par des Grammy Awards. Plusieurs de ses singles atteignent le sommet des classements musicaux, tels que Holiday, Like a Virgin, Into the Groove, La isla bonita, Like a Prayer, Vogue, Frozen, Music, Hung Up et 4 Minutes.

Désignée par le Livre Guinness des records comme étant la chanteuse ayant vendu le plus de disques de tous les temps avec plus de 400 millions d'exemplaires écoulés, Madonna est intronisée au Rock and Roll Hall of Fame. Surnommée « The Queen of Pop » (« La Reine de la Pop »), elle explore également d'autres genres comme la dance, le disco, la musique électronique, le rock, le jazz et le RnB. Sa capacité à réinventer son image et sa musique au fil des années ainsi que ses prises de position et ses provocations sur des sujets comme la religion, la sexualité ou la politique contribuent largement à sa notoriété.

Madonna mène également une carrière au cinéma : si elle reçoit des critiques positives pour son premier film en tant qu'actrice, Recherche Susan désespérément (1985), et remporte un Golden Globe pour son rôle dans Evita en 1996, la plupart de ses films reçoivent un accueil mitigé, voire glacial. À la suite de ces échecs, elle se tourne vers la réalisation à partir de 2008.

Avec une fortune estimée à 850 millions de dollars par le magazine Forbes en juin 2025, Madonna figure parmi les chanteuses les mieux payées au monde. Elle est l'une des artistes dont les tournées ont rapporté plus d'un milliard de dollars de recettes depuis 1990.